When you go to Google and type in “Are creative writing degrees…”, the very first auto-fill that pops up is “worth it?” And, it’s a legitimate question. If you’re going to go to college and spend tens of thousands of dollars on a higher education, you want to make sure you’re getting some bang for your buck, right? Because the last thing you want when you leave college is to feel like you not only wasted your money, but your time. I get it. And, having gone through four years of college to graduate with a BA in Fiction Writing, I feel pretty damn qualified to help you make that decision. So, with that said, let’s get started.
A little over a year ago, I wrote a blog post titled “The Allure of the Shiny Thing” in which I discussed how I was struggling to write one novel because ideas for a million other novels were vying for my attention. The phrase had been one I’d learned from a professor at Columbia College Chicago, and at the time I was adamant that pursuing the shiny thing was the worst thing I could possibly do. However, recently I actually did give in to the shiny thing. And that’s what I want to talk about today.
The title says it all. Dust off those vocal chords, because today we’re going to be talking about the benefits of reading your writing aloud!
“But Leighton,” you say, “why would I have to read my writing aloud? The whole point of reading is that it’s done silently.” To that, I say: Tell that to the audio book listeners out there. No, but seriously, this advice that I have to give you has nothing to do with whether your book will be read aloud someday or not (which, it totally will). It has to do with making your book the best it can be. That may also seem confusing, though. Like, how could reading a manuscript aloud make it better? Well, it helps in a few ways. Allow me to enlighten you.
Today we’re going to be talking about one of the most dreaded words to a writer: “Cut.” The word that makes us quake and hug our manuscripts tightly to our chests. “No, please, anything but the cut!” we cry. No matter how much we hate the word “cut,” though, I think we all realize that sometimes there’s just no way around it. Some things just have to be cut.
Info dumps. They plague the writing community, and nobody is immune. Amateurs and professionals alike can find themselves with a bit too much information to give, and when that happens the test of a talented writer is whether or not they can get that info across without leaving it in a messy pile at the reader’s feet. And that’s why I’m here! To teach you the best practices for avoiding the info dump, or for polishing up your info dump when you find there’s no way to avoid it altogether.
Let me set the scene. The main character steps up to his final showdown with the Big Bad. It’s the moment we’ve all been waiting for. And as the battle starts, the Big Bad immediately gets a leg up on the main character, knocking the weapon from their hand… Except, wait, why is that a problem? The main character has telekinetic powers and can just summon their weapon back into their hand. In fact, why do they need the weapon at all? Can’t they just toss the Big Bad around with their powers? It isn’t like the Big Bad has any powers of their own, or at least not any more than the main character. Really, where’s the tension? This final battle kind of blows. Let’s go get Starbucks instead of watching this shit show…